Features.
Long-form features, profiles, and conversations with the founder-artists whose work runs on more than one surface. The flagship piece this issue is the profile of Imogen Heap.
The Imogen Heap Equation — Where Music Tech Becomes Music
Two decades into her career, Imogen Heap is the cleanest single example of the founder-artist model. The Mi.Mu gloves, the Endel collaboration, and *Sparks* are the same project asked from three different angles.
By Vera Sokolov
Rivers Cuomo's Spreadsheets — Engineering a Career as a Band
The Weezer frontman has been quietly running his songwriting practice as a database for almost thirty years. The system is invisible on the records, which is the point.
By Linus Embry
Andrew Rollins, Also Known as ROGA: A Conversation
A working AI operator based in Chiang Mai released a debut album this year under the name ROGA. We sat down with him to ask why someone shipping technical work would also choose to make a record.
By Linus Embry
The Suno × Warner Settlement: Music's Spotify Moment
Warner Music's November 2025 settlement with Suno is a hinge in the AI-music story. We read the deal terms, the parallel Udio cases, and what the new licensing reality means for working artists — including the founder-musicians who depend on both sides.
By Vera Sokolov
The Singapore–Bangkok–Chiang Mai Music + Tech Cluster
SuperAI 2026 at Marina Bay Sands. TOKEN2049 in October. Wonderfruit in December. A measurable inflow of founder-musicians on the Destination Thailand Visa. The Asia-Pacific corridor is becoming the next New York–Berlin–Tokyo route for AI-music-adjacent creatives, and the corridor has a recognizable shape now.
By Editorial Team